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Second Daughter: The Story of a Slave Girl, by Mildred Pitts Walter
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Set during the American Revolution and based on a true story, Elizabeth Freeman, a young slave, sues for her freedom—and wins
Sheffield, Massachusetts. Six-year-old Aissa and her older sister, Elizabeth, work as slaves in the home of their owners—Master and Mistress Anna. Raised by Elizabeth after their mother died, and chafing under the yoke of bondage, Aissa is a natural-born rebel. Elizabeth, nicknamed Bett by her owners, is more accepting of her fate in spite of growing anti-slavery sentiment. She marries Josiah Freeman, a freed black man, and they have a child. Then on July 4, 1776, America achieves her dream of independence from England, and in 1780, Massachusetts drafts its own constitution, establishing a bill of rights. When Mistress Anna, angered by Aissa’s defiance, threatens her with a hot coal shovel, Bett takes the blow instead, and is severely burned. She walks out of the house, vowing never to come back—and takes her owners to court.
Second Daughter is both riveting historical fiction and rousing courtroom drama about slavery, justice, courage, and the unconquerable love between two sisters.
- Sales Rank: #1348975 in eBooks
- Published on: 2016-01-19
- Released on: 2016-01-19
- Format: Kindle eBook
From Publishers Weekly
Walter (Mississippi Challenge) treats fiction as the handmaiden of history and politics in this fact-based story, drawing from research about Mum Bett, a Massachusetts slave who successfully sued for her freedom shortly after the Revolutionary War. For a narrator Walter chooses Mum Bett's sister, whose name and life story have gone unrecorded. The author gives her the African name Aissa, which means "Second Daughter"; a self-satisfied, capricious mistress; a strong temperament; and an indomitable will to be free. Aissa charts the injustices as she watches her more accommodating older sister, Bett, serve men who spout Revolutionary rhetoric about liberty with no thought to the humans they treat as property. Bett's husband, a free man, is killed fighting in the Revolution, but the pension Bett receives is nowhere near enough to buy their child's freedom. In common with many other heroines reclaimed from oblivion, Bett is also a skilled folk healer. It's a story of perfect political rectitude, but the agenda here is stronger than the narrative?judging from the intriguing historical note at the end of the book, its lessons might have been even more clearly delivered as nonfiction. Ages 12-up.
Copyright 1996 Reed Business Information, Inc.
From Booklist
Gr. 6^-10. The history is dramatic: in 1781 a slave woman, Mum Bett, took her owner to court and won her freedom under the Massachusetts Constitution. Her story is told in the voice of her fictional younger sister, Aissa, who describes the events leading up to that historic trial--what it was like to be a slave, to be sold away from home, to work for someone who saw you only as property, to hide your true self. The plot meanders, and the characterization is thin: through Aissa's eyes, people are pretty much saints or villains, though the author does show that Bett holds on to a strong sense of her inner worth. What readers will respond to are the facts of Bett's life and the bitter truth of the young slave's commentary. For the powerful leaders who are fighting the Revolutionary War and hammering out the Constitution, the sisters are invisible. As the action builds to the climax of the trial, Aissa raises the elemental question: if the great new Constitution says that all men are created equal, does "men" include black men and all women? Hazel Rochman
Review
“Adolescent readers will easily empathize with [Martha’s] predicament of feeling confused by the pull from so many different directions at this stage of life.” —Library Journal
Most helpful customer reviews
3 of 3 people found the following review helpful.
Harsh historical realities told in vivid detail.
By A Customer
I live just a few short miles from the historical homsestead where Mum Bett served as a slave, and yet I did not know her story until I met Mildred Pitts Walter at a convention. This story does not simply tell of the cruelities of slavery, but more than any other children's book on this subject, it describes the harsh realities of the times for all peoples, the illnesses that took life early, the difficulties encountered in child bearing, and the shortages brought about by the revolutionary war. Although the reviews above criticize the story for its meadering plot, I appreciated the window it gave me on daily life at the time of the American revolution. Ultimately, it is a book about the courage of one woman who fought for what was rightly hers. My adult friends keep borrowing it ...this is not a book for children only.
2 of 2 people found the following review helpful.
Good Book
By A Customer
I would say that this book tells of the cruel actions committed onto slaves. It gives not very descriptive details of what is happening in the book in certain places, but manages to still sum up what's going on. I would recommend this book for people who like reading historically told books and for peopl ewho might need to get an image of what slavery was and how it affected peoples lives.
0 of 0 people found the following review helpful.
Wooden Writing and Questionable Historical POV
By SeattleBookMama
Second Daughter is historical fiction based on the true story of an enslaved woman that went to court and won her freedom in New England around the time of the American Revolution. I received this DRC free from Net Galley and Open Road Integrated Media in exchange for an honest review. And it’s just as well, because if I had paid any money at all for this brief but troubled book, I would be deeply unhappy.
First, let’s examine the positive aspects that allowed the second star to happen. Walter has nailed setting, and when Aissa, the girl that serves as our narrator, describes the kitchen of her master’s house, we are there and can see it all. Here she does an excellent job. Other settings are also well told.
Second, the length, just 119 pages, is accessible for young adult readers, many of whom find it difficult, in these technologically advanced times, to focus all the way through a full length novel.
Unfortunately, the problems outweigh the virtues. I have two issues that plant this story on my literary wall of shame. The first is technical, the second philosophical.
Technically I see this as a decent if unmemorable read, and were I to judge this strictly on the writer’s skill, I would call this a three star novel. Overlong passages of narrative, often unbroken by action or dialogue and in lengthy paragraphs, are likely to hit the average adolescent’s snooze button early on. The choice to tell everything in past tense as opposed to the more widely used literary present deadens the pace further. When we finally do get a passage of dialogue, it is so stiff and stilted that not even the most engaging teacher, when reading this out loud to her class, could possibly breathe life into it. One character is depicted as speaking with a Sambo-like dialect, all “dis” and “dat”. If one is going to use a dialect, make it respectful and readable. This verges on mimicry, and any Black students in the room that haven’t tuned out or gone to sleep yet are going to be unamused, and rightly so.
I can see that Walters meant well in writing from the point of view of a Black slave girl and in depicting a victory gained by Black people on their own behalf, as opposed to the usual torture, death, and despair that represented those kidnapped and forced into slavery. But this is also where I have to step back and ask what the ultimate effect of this book will be on students that read it.
For the average or below average middle school student, reading all the way through even a fairly brief novel such as this one will likely be the only book they make it through during the term in which slavery is covered in the social studies, humanities, or language arts/social studies block. Part of the power of good literature—which this isn’t, and in some ways that may be for the better—is that it drives home a central message. I can envision students that pay attention to this book, perhaps because the teacher is particularly engaging and has driven home its importance, and then walking away from the term’s work convinced that all any slave in any part of the USA ever had to do to get out of his or her predicament was to find a good attorney, take the matter to court, and bang, that’s it, we’re free. Let’s party.
This novel addresses a relatively brief period in the northern states, where slavery had been legal but had not been as widespread as in the Southern states. King Cotton had not become the dominant economic mover it would become by 1850, when its grip on all of US governmental institutions would be absolute. By then, northerners made their money indirectly from the cotton industry in everything from shipping, boat building, rope making, and banking to growing crops for consumption by Southerners and in some cases, for their slaves.
If one is going to teach about slavery, far better to do so as part of an American Civil War unit. It’s a tender, sensitive, painful thing for children of color, but it’s not okay to deceive them, however unintentionally, with the misimpression that all slaves had options that they didn’t. Better to use portions of Alex Haley’s Roots; teach about the vast but much-ignored free Black middle class in the north that was the primary moving force behind the Underground Railroad; or to show the movie “Glory” in class to emphasize the positive, powerful things that African-American people did during this revolutionary time, than to emphasize something as obscure, limited, and potentially misleading as what Walter provides here.
I am trying to think of instances in which this book might be part of a broader, more extensive curriculum such as the home-schooling of a voracious young reader, yet even then I find myself back at the technical aspect, which results in a book that is dull, dull, dull. Literature should engage a student and cause him or her to reach for more, rather than make students wonder if it will ever end.
In general I have resolved to read fewer YA titles than when I was teaching and treat myself to more advanced work during my retirement. I made an exception for this title because the focus appeared to be right in my wheelhouse, addressing US slavery and the civil rights of Black folk in America. I regret doing so now, but it doesn’t have to happen to you too.
Save yourself while there’s time. Read something else. And for heaven’s sake, don’t foist this book on kids.
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