Kamis, 31 Juli 2014

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Alon And The Oak Tree, by Bram Fine

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Alon And The Oak Tree, by Bram Fine

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Alon And The Oak Tree, by Bram Fine

This is a book about the wonders and magic of nature. A story about responsibility and growth. It's about knowing when to hear your inner voice and when to act upon it. A fun and adventure filled story of a boy that finds an acorn to nurture. This is a childeren's book although it is for the whole family to enjoy as there is a bit of us all within it's pages.

  • Sales Rank: #1457241 in Books
  • Published on: 2016-01-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .7" w x 8.50" l, .24 pounds
  • Binding: Paperback
  • 26 pages

About the Author
Bram Fine is an architect working and living in Israel. His passion, however is writing. This is his first of a series of children's books to be published.

Most helpful customer reviews

2 of 2 people found the following review helpful.
A wonderful story for all ages to enjoy.
By Linda B
This is a precious story for children and adults alike. It teaches about the process of a seed growing into a plant, while creating a very sweet story of a young boy and his wise father. It is well written, a story I am sure will delight children for years to come!

1 of 1 people found the following review helpful.
For kids and adults alike WOW
By Amazon Customer
A heart warming story, my kids loved it and want me to read it to them again. As a Dad I loved it too.

0 of 0 people found the following review helpful.
Heartfelt and thoughtful
By D L
Heartfelt and thoughtful tale simply told with excellent illustrations. Just the right sort of story for a calm family break or bedtime.

See all 3 customer reviews...

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## Get Free Ebook The Eye of the Falcon (Gods and Warriors), by Michelle Paver

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The Eye of the Falcon (Gods and Warriors), by Michelle Paver

The third book in the critically acclaimed Gods and Warriors series. Readers of Rick Riordan, T.A. Barron, and John Flanagan will love this exciting Bronze Age adventure!

The eruption of the volcano has shrouded the sun in ash, and the harsh winter is never-ending. With no trace of his lost sister to be found, Hylas takes ship for Keftiu, to find Pirra and free her from captivity.

But the Crows are also coming to Keftiu, led by the power-hungry Telamon. And Telamon knows what Hylas doesn’t: that in the chaos of the volcanic eruption, Pirra took the Crows’ prophesized dagger. Aided by Havoc, the lion cub, and Echo, a falcon of the Goddess, Hylas and Pirra will face the Crows once again, in a terrifying epic battle to save the land—or destroy it.

  • Sales Rank: #570654 in Books
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .73" w x 5.10" l, .25 pounds
  • Binding: Paperback
  • 288 pages

Review

"While the exotic setting and intriguing plot will draw adventure lovers, Pirra and Hylas' unlikely friendship and budding romance will keep them...A lush and riveting journey."--Kirkus Reviews

"Fast paced with well developed characters and a rich setting, this book will appeal to fantasy and history lovers alike."--VOYA

"Paver's conscientious research, skilled writing, and beguiling animal familiars continue to produce gratifying levels of adrenaline-charged suspense and pacing."--Booklist  

About the Author
Michelle Paver is the internationally bestselling author of the Chronicles of Ancient Darkness series and the winner of the Guardian Children's Fiction Prize. She lives in the United Kingdom.

Excerpt. © Reprinted by permission. All rights reserved.

1

“What happened here?” said Hylas. “Where are all the people?”

“There’s one over there,” said Periphas, “but he’s not going to tell us.” He pointed at a ship that the Sea had flung halfway up a hill. Snagged in its rigging was the skeleton of a man. Shreds of rotten tunic flapped in the wind, and one bony arm swung in a grisly wave.

“Looks like the gods punished Keftiu worst of all,” said Glaukos.

“Smells like it too,” said Medon. The others muttered and gripped their amulets.

Hylas was stunned. Over the winter he’d seen many horrors, but nothing like this. The Sea had smashed huts, boats, trees, animals, people. The shore was eerily silent, and wherever he turned, he saw mounds of rotting wreckage. Dirty gray surf clawed at his boots, and he breathed the throat-catching stink of death. How could Pirra and Havoc have survived this?

With his knife, Periphas turned over the skull of an ox. “This happened months ago. Everything’s covered in ash.”

“But someone must’ve survived,” said Hylas. “Why didn’t they come back and rebuild?”

No one answered.

“This can’t be Keftiu,” said Hylas. “It’s a huge rich island with thousands of people, Pirra told me!”

“I’m sorry, lad,” said Periphas. “You won’t find your friends now. We’ll see if there’s anything worth taking, then we’re off.”

While the others spread out to forage, Hylas spotted a hut farther down the shore and picked his way toward it, desperate to find someone alive.

The icy wind tugged at his sheepskins, and he startled a vulture, which flew off, raising a haze of ash. He hardly noticed. All through the winter the Great Cloud had hidden the Sun, plunging the world into perpetual twilight and shrouding it in ash. He’d grown used to the gloom, and the black grit that got into hair, clothes, food. But this . . .

He thought of his friends as he’d last seen them, seven moons ago on Thalakrea. The Mountain had been spewing fire and there’d been chaos on the shore, people fleeing in whatever boats they could find. Somehow, he’d gotten Havoc and Pirra on a ship: Havoc scrabbling in her cage and yowling at him, Why are you abandoning me, and Pirra white with fury—for the ship was Keftian. “I told you I couldn’t go back!” she’d screamed. “I’ll never forgive you, Hylas! I’ll hate you forever!”

He’d done it to save her. But he’d sent her to this.

The hut was mud-brick and thatch, and someone had crudely repaired it after the Sea’s attack. They’d also marked the wall with a stark white handprint. Hylas didn’t know what that meant, but it felt like a warning. He halted some distance away.

The wind flung more ash in his face. As he brushed it off, he felt an ache in his temple, and from the corner of his eye, he glimpsed two ragged children. They vanished inside, but he saw that they were girls, one about ten, the other younger. Both had bizarrely shaven heads, except for one long lock hanging from the temple, and angry boils on their necks the size of pigeons’ eggs.

“I’m not going to hurt you!” he called.

No answer, but he knew they were listening. And he caught a sense of anger, and hopeless searching.

To reassure them, he turned his back.

Again they appeared at the corner of his vision.

“Are you looking for your parents?” he said without moving his head. “I’m looking for someone too. My friends. Is anyone else alive?”

Still no answer. The anger and loss came at him in waves.

Belatedly, he remembered that he was a foreigner here, so they wouldn’t understand him. “I’m Akean,” he explained. “I can’t speak Keftian!”

Once again when he looked, they vanished inside. After a moment’s hesitation, he followed.

The hut was empty.

Yes, empty—and no way out except for this door. The back of his neck began to prickle, and his hand went to the lion-claw amulet at his throat.

Dim gray light filtered through the thatch, and the air was thick with the stench of death. Then on a cot against the opposite wall, he saw the bodies of two girls.

His heart hammered against his ribs.

One girl looked about ten, the other younger. Both had shaven heads with a single lock of hair at the temple, and terrible boils on their necks. A dark haze seemed to boil and swarm around them, like ash—only this was alive.

With a cry Hylas staggered from the hut.

Farther up the shore, the others were already splashing through the shallows to the ship, and Periphas was hastily untying its line from a boulder. “Where’ve you been!” he yelled at Hylas. “We’re clearing out, we found bodies!”

“So did I!” gasped Hylas.

“Did you touch them?” barked Periphas.

“No, I—no.” He didn’t dare mention the children. His mind shied away from what they might be.

No one sees ghosts, he told himself. And yet I saw them. They were there.

“We found three fresh corpses in a shelter,” muttered Periphas. “Black in the face, and all over with boils.”

“What is it?” said Hylas.

“Plague,” snapped Periphas.

The men within earshot blanched.

Hylas’ mind reeled. “M-maybe it’s only on this part of the coast,” he stammered. “If we go farther—”

“I’m not risking it,” said Periphas.

“Then inland! There are mountains, we can—”

“Let me tell you about the Plague,” Periphas cut in. “It comes with the unburied dead. That’s what happened here. First you get a fever. That’s the Plague making its nests in your flesh. Soon those nests swell into great agonizing boils. They hurt so much you can’t stop screaming, but the Plague doesn’t care, it’s breeding inside you. Now the boils are bursting, and the pain’s so bad you’re going mad.” He chucked the line toward the ship. “It only ends one way.”

The others had stopped what they were doing and were gaping at their leader.

Hylas glanced from Periphas to the ruined shore and the hazy mountains beyond. “I-I have to stay,” he said.

“Then you’re already mad,” retorted Periphas. “I thought you were desperate to reach Messenia and find your sister!”

“I am, but . . . The gods didn’t send us to Messenia. They sent us here. To Keftiu.”

“Look around you, Hylas! Your friends won’t have survived this!”

“But if they did—”

“A girl and a lion cub? There’s no one here but the dead! If you stay, you’ll become one of them!”

Hylas licked his lips. “Pirra and Havoc are my friends. I sent them here. I can’t abandon them.”

“What about us? Aren’t we your friends?”

Hylas glanced at the others on the ship. They were tough men—escaped slaves like him—and used to unimaginable hardship. At nearly fourteen, he was the youngest by far, and yet they’d treated him with rough kindness. For seven moons they’d been trying to get back to Akea, but the Sea was full of huge floating islands of pumice, and they kept losing their way. Once, they’d run aground; it had taken two moons to repair the ship. And now they’d fetched up here, on Keftiu.

Hylas looked at Periphas, with his broken nose and his brown eyes that had seen too many bad things. Periphas had saved his life by hauling him aboard as the ship left Thalakrea. He’d been a warrior once, and over the winter he’d taught Hylas a bit about fighting. In a way, they’d become friends.

But Pirra was different—and so was Havoc.

“They need me, Periphas,” said Hylas. “It’s my fault that they’re here. If there’s a chance they’re still alive . . .”

Periphas gave him a strange, angry look. Then he scratched his beard with one grimy hand. “It’s your choice,” he growled. “A pity. I liked you.”

After that, things happened fast. Hylas already carried his axe, knife, slingshot, and strike-fire, but now Periphas gave him a waterskin, a sack of provisions, and a coil of rope. “That always comes in handy,” he said with a scowl.

Soon afterward, Hylas was watching the ship heading out over the gray Sea. He watched till it was gone, and he was left alone with the vultures and the icy wind: a stranger in a haunted land ravaged by Plague.

What have I done? he wondered.

Then he hoisted his gear on his back and headed off to find his friends.

2

Hylas could see snow on the mountains, and here on the coast the wind was freezing, but the cold didn’t bother the lumpy little creature squatting in front of him. It was about knee height and made of dirty wax, with hair of moldy straw and fierce red pebble eyes.

Periphas had warned him about these as he was leaving. “They’re Plague traps, they draw it away from the living. People call them pus-eaters. Make sure you don’t touch.”

As Hylas edged past the pus-eater, he felt an ache in his temple, and rubbed the scar from the burn he’d received on Thalakrea. The ache faded, but from the corner of his eye, he glimpsed dark specks crawling all over the pus-eater. He’d seen the same black swarm on the ghostly children. Was it Plague? Periphas hadn’t said anything about being able to see it, so how could this be?

And how was it possible that he was seeing ghosts?

There was no one to ask. He hadn’t met anyone all day, either living or dead. To his right, the gray Sea sucked at the shore, and to his left, low gray hills barred the way inland. Halfway up, a dark band of wreckage was a grim reminder of the Sea’s attack.

Periphas had told him that if he followed the coast west for a day or so, then headed inland, he would reach the House of the Goddess, where Pirra’s mother ruled. “Although who knows what you’ll find. There used to be villages and ship-sheds all along this coast. Where we’re standing used to be a town.”

“What’s a town?” Hylas had asked.

“Like a village, but bigger. Thousands of people.”

“ Thousands?”

“Keftiu is vast, Hylas, it takes two days to sail from one end to the other. Even if your friends are still alive, how will you find them?”

That had only been this morning, but already Periphas seemed long gone. Hylas felt lonely, vulnerable, and cold. He wished he had something warmer than a sheepskin jerkin whose sleeves were too short, and leggings with holes in the knees.

Up ahead, he saw smoke rising from behind a spur. Drawing his knife, he crept forward and peered around a boulder.

He blinked in disbelief.

Below him at the head of a bay clustered several makeshift huts with people bustling about in between, oblivious to the desolation. Some stirred huge steaming cauldrons; others bent over stone vats cut into the hillside, or unloaded dripping baskets from boats in the shallows. Even more bizarre, women stood at drying racks, hanging up sodden armfuls of astonishing colored wool. Scarlet, yellow, blue, purple: The brilliant clots of color seemed to throb in the grayness all around.

The wind gusted in Hylas’ face, and he inhaled an eye-watering stench of urine and rotting fish. In astonishment, he realized that these people must be dye-workers. But why would anyone bother to dye wool in a Plague?

He was debating whether to go down and seek shelter or avoid them altogether, when a stone struck the boulder near his head. He spun around—guessed it was a trick—flung himself sideways. Too late. A noose yanked tight around his neck, his knife was kicked from his hand, and spears pinned him front and back.

“I told you, I’m not a thief!” shouted Hylas.

His captors yelled at him in Keftian, brandishing fishing spears and big double axes of tarnished bronze. There were ten of them: squat beardless men in ragged sheepskin tunics baring muscular limbs stained a weird, blotchy purple. Their faces were purple too, and they stank of urine and rotting fish. Hylas had never seen anything like them.

One man hooked Hylas’ axe from his belt, then they hauled and pushed him down to the huts, keeping him at a distance with their spears, for fear of Plague.

Still yelling in their strange bird-like speech, they halted at the largest hut, and an old woman appeared in the doorway: Hylas guessed she was the headwoman of the village. She was enormously fat, and swathed in layers of filthy gray rags. She had a spongy purple face crowned with a few greasy threads of hair. One eye socket was empty, the other eye was a cloudy gray. It skittered about alarmingly, then fastened on Hylas and gave him a hard stare.

One of the men pointed to the tattoo on Hylas’ forearm: the black zigzag that marked him as a slave of the Crows. Over the winter, he’d tattooed a line underneath, to turn it into a longbow. That didn’t seem to fool the old woman.

“What’s a Crow spy doing here?” she rasped in Akean.

“I’m not a Crow,” panted Hylas, “and I’m not a spy, I—”

“We drown Crow spies. We feed them to the sea snails.”

“I hate the Crows! I’m just trying to find my friend! Her name’s Pirra, she’s the daughter of High Priestess Yassassara.”

The woman snorted. “As if she’d be friends with the likes of you.” Barking a command in Keftian, she jerked her head, and the men began to drag Hylas toward the Sea.

“I can prove it!” he shouted. “Pirra grew up in the House of the Goddess, she told me it’s huge and—they do rites with men jumping over charging bulls—”

“Everyone knows that,” sneered the woman.

They were hauling him over stinking mounds of crushed sea snails, past conical baskets baited with rotting fish. Was that how he was going to end up? As bait?

“Pirra hated the House of the Goddess,” he shouted over his shoulder, “she called it her stone prison! Then her mother tried to strike a bargain with the Crows, she was going to seal it by giving Pirra in marriage—but Pirra burned her own face to spoil the match! She—she’s got a scar like a crescent moon on her cheek—”

“Everyone knows that too,” called the woman.

“You can’t do this!” he yelled. “I’m a stranger here, it’s against the law of the gods to kill a stranger!”

“The gods have abandoned Keftiu,” snarled the woman. “Around here, I make the law!”

Now they were dragging him into the freezing shallows and kicking him to his knees. Icy waves stung his face. The tines of a pitchfork enclosed his neck, forcing him toward the water . . .

Something Pirra had said came back to him. “She had a tunic of Keftian purple!” he blurted out. “She said they make the purple from mashed-up sea snails, thousands of them, and it costs more than gold!”

The woman barked a command, and the pressure on his neck lifted. Panting, he lurched to his feet.

“Quite a few people know that too,” the woman called drily. “You’ll have to do better if you want to live.”

“She—um—once she told me there were only two robes like it in all Keftiu,” he gasped, “but nobody’s ever seen the other because it’s Yassassara’s, they made it in secret, she only wears it for secret rites.”

Silence. The gray Sea lapped hungrily at his thighs.

“I dyed that wool myself,” said the woman. “By moonlight. In secret. Now, how’d you know that?”

“Like I said, Pirra told me!”

Another command—and Hylas was hauled back to the shore. The noose was removed, the spears withdrawn. Someone chucked him his axe and his knife.

The old woman hawked and spat a gobbet of purple snot on the stones. Then she turned and lumbered back into her hut. “Yassassara’s dead,” she said over her shoulder.

Hylas flinched. “What about Pirra?”

“You better come inside.”

3

The lion cub heard ravens calling from the ridge and quickened her pace. Ravens meant carcasses, and she was hungry.

The Bright Soft Cold lay deep on the mountain, and by the time she’d struggled onto the ridge, the ravens had left only bones. The cub crunched them up, but the hunger didn’t go away.

The cub was always hungry. Long ago, men had brought her to this horrible land of shadows and ghosts. She remembered fleeing in terror as the Great Gray Beast came roaring in and savaged the shore. Afterward, there had been piles of carcasses—dogs, sheep, goats, fish, humans—and swarms of vultures. The lion cub had fought for her share, until men had chased her away with their great shiny claws.

She’d fled to the mountain, because she knew mountains, but this was nothing like the fiery Mountain where she’d lived with her pride. There were no lions, only frozen trees and Bright Soft Cold; hungry creatures, ragged men, and ghosts.

It was a land of shadows. When the cub sat on her haunches and gazed at the Up, she couldn’t see the Great Lion whose mane shone golden in the Light and silver in the Dark. And there was no real Light, only this gray not-Light, in between the Darks.

The cub had grown used to the not-Light, as it helped her hide from men; but as the Darks and the not-Lights passed, the cold bit harder. Her breath turned to smoke, and she couldn’t find any wet to drink, so she ate the Bright Soft Cold. She learned to crawl into caves when the white wind howled, and her pelt grew thick and matted with filth. It kept her warm, but she was too hungry and frightened to lick herself clean.

Then, alarmingly, her teeth started falling out. She was horrified, until new ones thrust painfully through. They were larger and stronger than the old ones: She could rip open a frozen carcass with one bite. And she got bigger. Now when she stood on her hind legs to scratch a tree, her forepaws reached much higher than before.

Here on the mountain, there weren’t as many dead things as on the shore, so as well as scavenging, the cub tried to hunt. Mostly she did it wrong, charging too soon, or getting confused about which prey to chase; but finally she felled a squirrel with a lucky swipe. It was her first kill. If only there’d been someone with her, to see.

That was the worst of it, the loneliness. Sometimes the cub sat and mewed her misery to the Up. She longed for warmth and muzzle-rubs—and to sleep without fear, because other ears and noses were keeping watch.

A jay cawed to its mate, and from high on the ridge came the squawks of vultures. The lion cub struggled toward them through the Bright Soft Cold.

The vultures were squabbling over a dead roebuck. The cub wasn’t yet able to roar, so she rushed at them, snarling as loud as she could and lashing out with her claws. It was good to see the vultures flying off in a clatter of wings; and the buck was still warm. Tearing open its belly, the cub hunkered down to feed.

She’d hardly gulped a mouthful when two men burst from the trees, shouting and waving big shiny claws.

The cub fled: down a gully and up some rocks, anywhere, as long as she got away. She didn’t stop until she could no longer smell that horrible man-stink.

The lion cub hated and feared all men. It was men, with their terrible flapping hides and their savage dogs, who had killed her mother and father when she was little. It was men who had brought her across the Great Gray Beast to this freezing land of ghosts.

It hadn’t always been like this. Long ago when she was small, there had been a boy. She’d had a thorn in her pad, and he’d pulled it out with his thin clever forepaws, then smeared on some healing mud. The boy had looked after the cub and given her meat. She remembered his calm strong voice, and the warmth of his smooth, furless flanks. She remembered his ridiculously long sleeps, and how cross he would get when she jumped on his chest to wake him.

There’d been a girl too. She’d been kind to the cub (except when the cub struck at her ankles to trip her up). For a few Lights and Darks, they’d been a pride together: boy, girl, and cub. They’d been happy. The cub remembered uproarious games of play-hunt, and the humans’ yelping laughs when she pounced. She remembered a magic ball of sticks that could fly without wings, and race downhill without any legs. She remembered much meat and muzzle-rubbing and warmth . . .

A clump of Bright Soft Cold slid off a branch and spattered the cub. Wearily, she shook it off.

It hurt to remember the boy, because he was the one who had sent her here to this horrible place. He had abandoned her.

The lion cub snuffed the air, then plodded on between the cold unfeeling trees.

She would never trust another human. Not ever again.

4

“You speak Akean,” ventured Hylas as he stood shivering in the gloom.

“Well of course I do,” snapped the one-eyed old woman, “I am Akean. Name’s Gorgo. What’s yours?”

“Flea,” lied Hylas.

“Your real one.”

“. . . Hylas.”

Gorgo subsided onto a bench before a large fire and arranged her vast belly over her knees. An elderly sheephound heaved himself to his feet and limped over to her, swinging his tail. From a pail, she sloshed milk into a potsherd and watched the dog lap it up. “You just going to stand there?” she barked.

It took Hylas a moment to realize she was speaking to him.

“Feed the fire, then sit,” she commanded. “I can see you’ve not got the Plague, but if you don’t dry off, you’ll die anyway.”

Hylas fed the fire with dried cowpats, then poured seawater out of his boots and huddled as close to the fire as he could without getting scorched. The hut was dark and cramped; he tried to ignore the stink of urine and rotten fish.

With a blotchy purple paw, Gorgo scratched the bristles on her chin. Her cloudy gray eye veered all over the hut, then skewered Hylas. “So. You were a slave of the Crows.”

He nodded. “In the mines of Thalakrea.”

Gorgo grunted. “I hear that’s where it started. The Crows dug too deep and angered the gods. Because of the Crows, the Sun’s gone, we’ve had the coldest winter anyone can remember, and there is no spring.”

Hylas bit back the urge to ask about Pirra. He sensed that the old woman would tell him when she was ready, not before. “What happened here?” he said, his teeth chattering with cold. “I’m a stranger on Keftiu, I—”

“Then your luck just ran out,” said Gorgo. Jabbing her knuckle in her empty eye socket, she gave it a vigorous scratch. “First we knew, the Great Cloud was blotting out the Sun and the ash was raining down. Then the Great Wave.” She scowled. “They say some people just stood and stared. Others fled. Wave got them all. Faster than a horse can gallop. Didn’t see it myself. We’d taken a load of wool inland to be weighed. Bit of luck, or we’d of drowned.”

With a stick, she stabbed the fire. “My sons say they never smelled anything like the stink of the bodies, but I wouldn’t know.” A juddering laugh shook her mountainous flesh. “I can’t smell. Never have.” She spat, narrowly missing the dog. “Since that first fall of ash we’ve had many more. Then the Plague came about a moon ago. It struck the heart of Keftiu. Yassassara ordered everyone out of the House of the Goddess and for all around as far as a man can ride in a day. Villages, farms, emptied. She sent them to the settlements in the west. They can’t come back till the priests say the Plague’s gone.”

Hylas swallowed. “I’m trying to find the House of the Goddess.”

“Didn’t you hear what I said? There’s no point, it’s deserted! The High Priestess was going to do a Mystery, get rid of the Plague and bring back the Sun. Ha!” Another juddering laugh. “Plague got her instead.”

Hylas was appalled. He’d only seen Yassassara once, but she’d radiated power like heat from embers. How could she have succumbed to Plague?

“Didn’t expect that, did you?” Gorgo said drily. “Nobody did. Not even her. They say she had herself carried to her tomb when she was still alive. Had her priests purify the House of the Goddess with sulfur, then seal it up. So now it’s empty. Rest of Keftiu’s not doing much better. Great Wave got most people on the coast, Plague got half the rest. Priests have been busy, sacrificing rams, bulls, but nothing’s worked. Survivors still holed up in the west, a few hiding out in the mountains.” She sniffed. “And with no one to bury the bodies, we’ve got all these ghosts wandering about. They’re angry, no proper rites, no one to put them at rest in the tombs of their kin.”

Hylas went still. “Can you—see them?”

She glared at him. “Course not! Why’d you think that?”

He ducked the question. “Aren’t you afraid of the Plague? I mean, why are you still here?”

Again her bloated body shook with laughter. “We smell so bad, not even Plague comes near us! Nobody comes near dye-workers, we’ve always lived apart. And now with all this rotten meat in the Sea, why wouldn’t we stay? It’s the best sea snail harvest we’ve ever had! Plenty of wool about too, all those lost sheep wandering around for the taking.” She slapped her belly. “That’s why I’m so fat!”

“But who’s going to buy your wool?”

“Look,” snapped Gorgo. “If the Sun never comes back, the crops fail and we all die. If the Sun does come back, things’ll get better and we’ll be rich. Either way, we keep working.”

Hylas held his hands over the fire and watched his tunic steam. “Why was Keftiu hit harder than anywhere else?”

“Because of Yassassara!” roared Gorgo, causing the dog to set back his ears, and one of her sons to put his head in the door.

Hylas sat very still and waited for Gorgo to calm down.

“You said it yourself,” she growled, waving her son away. “Yassassara tried to bargain with the Crows. So when the gods punished them by blowing up Thalakrea, they punished us too. Oh, she knew it was her fault. That’s why she was going to do the Mystery, to make up for it.”

Hylas mustered his courage. “So where’s Pirra?”

Gorgo’s eye became opaque, like that of a snake before it sheds its skin. Hylas had a sudden sense that she knew a lot more than she was letting on. “How should I know?” she said. “Now suppose you stop asking questions, and tell me what an Outsider from Lykonia is doing on Keftiu.”

Hylas tensed. “What makes you think I’m an Outsider?”

For a heartbeat, she hesitated. “They’re the only people I know with yellow hair.”

He wondered how much to reveal. “I was a goatherd. The Crows attacked my camp and killed my dog. I got separated from my little sister. That was”—he caught his breath—“nearly two years ago.”

Gorgo narrowed her eye. “Why’d they attack you?”

“I don’t know.” But he did. The Crows wanted him dead because an Oracle had foretold that if an Outsider wielded their ancestral dagger—the dagger of Koronos—it would be their ruin. But he wasn’t about to tell a stranger that.

“What’s your sister’s name?” Gorgo said abruptly.

“What?—Issi.”

Again she scratched her bristly chin. “Did you find her?”

“No. I think she’s in Messenia. If—if she’s still alive.”

“Messenia.” Gorgo’s eye turned inward, remembering. “Long time since I heard that name.” The dog put his muzzle on her knee, but she ignored him. “Dark soon,” she said abruptly to the fire. “You got till nightfall to get out of arrowshot of my village. Don’t ever come back.”

Hylas blinked. “You mean—you’re letting me go?”

Reaching under the bench, she pulled out a small wovengrass pouch and chucked it at him. “Fleabane and sulfur. Might keep off the Plague for a bit.”

“Thanks,” faltered Hylas.

Gorgo glared at him. “Don’t you dare thank me!” she bellowed. “Get out and never come back!”

Hylas was leaving the village at a run, when she shouted after him: “That daughter of Yassassara’s! I hear they took her to the mountains—to Taka Zimi! But that was moons ago, just after the Great Wave, and they say there’s Plague up that way, and some monster stalking the forest—she’ll be dead by now!”

5

Pirra is on the deck of the ship, screaming at Hylas. “I hate you! I’ll hate you forever!” She goes on screaming as the ship pulls away and he is lost from sight.

Now the voyage is over, the ship has reached Keftiu, and Pirra is watching the sailors unload Havoc’s cage. The lion cub is frightened and miserable. She’s been seasick all the way, and has rubbed her forehead raw on the bars, but Pirra couldn’t let her out in case she jumped overboard.

They’re hardly ashore when something terrible happens: The Sea begins to withdraw. Pirra stares in disbelief at glistening mounds of seaweed and stranded, flapping fish. Then the captain remembers a story of the old times and bellows a warning. “It’s going to attack! To the hills! Run!”

Now the sailors are fleeing in panic and Userref is dragging Pirra up a cliff. She sees Havoc in her cage, abandoned on the rocks, and screams at the men to set the cub free, but Userref won’t let go of her wrist and the Great Wave is roaring toward them with vast white claws . . .

Pirra woke up.

She was in bed at Taka Zimi. Her chamber was warm: Embers crackled in the brazier, and she lay in a nest of sheepskins. She smelled the wormwood that Userref burned to ward off the Plague, and heard the distant roar of the waterfall and the gurgle of water collecting in the cistern under the sanctuary. But the dream clung to her. She remembered the terrible silence after the Great Wave had gone.

She shut her eyes. She hadn’t actually seen Havoc washed away. Maybe someone had let the cub out, and she’d escaped in time . . .

Round and round Pirra’s thoughts circled: from grief for Havoc, to shock and disbelief over her mother, to rage and anxiety—mostly rage—about Hylas.

As her heartbeats slowed, she realized she was clutching her amulet pouch, which held the falcon feather he’d given her two summers before. Falcons are creatures of the Goddess, but Pirra loved them simply because they enjoyed a freedom she didn’t have. It had meant a lot when Hylas had given her this feather.

But things were different now. All through the winter she’d had fights with him in her head. “I told you I’d die if I was sent back to Keftiu—and yet you did it anyway!”

“I was saving your life,” replied the Hylas in her head.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Three Stars
By Myall25
I haven't finished it yet, but it seems on a par with the first two books of the series. Have now. First impressions were right. Not brilliant but OK

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Selasa, 29 Juli 2014

* Ebook Lemons Are Not Red, by Laura Vaccaro Seeger

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Lemons Are Not Red, by Laura Vaccaro Seeger

Lemons are not Red. Apples are red. Lemons are yellow. . . .

Clever cutouts in the pages make a simple, original, and utterly beguiling introduction to color.

Laura Vaccaro Seeger, whose The Hidden Alphabet dazzled critics and readers alike, introduces young children to color in this unique concept book with die cuts. The opening spread features a big, bright red lemon and the simple text, "Lemons are not RED." When the spread is turned an equally bright yellow lemon appears ("Lemons are YELLOW") across from a luscious red apple ("Apples are RED").

And so it goes, from carrots that are not purple through reindeer that are not white, et al. The book ends with "The moon is not BLACK / The moon is SILVER / The night is BLACK / Good night! And the reader sees a tranquil night landscape and a house with the lights turned out.

This title has Common Core connections.

  • Sales Rank: #836851 in Books
  • Published on: 2016-01-26
  • Released on: 2016-01-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.81" h x .37" w x 8.25" l, .0 pounds
  • Binding: Hardcover
  • 32 pages

From School Library Journal
PreS–The creator of The Hidden Alphabet (Roaring Brook, 2003) offers another visual treat. The text is appropriately spare. The first spread reads, "Lemons are not/ RED." The word "RED" appears on a bright yellow page beneath the die-cut shape of a lemon with a red background showing through. When the page is turned, the die-cut shape falls on the correct yellow background, with the words "Lemons are YELLOW" underneath. The red background of the facing page is revealed to be an apple, with the phrase, "Apples are RED." This framework continues throughout the book, and children will quickly catch on and join in the visual game. The paired objects are related, which gives the text an internal consistency. However, the choices never become predictable, so a sense of surprise is always maintained. For example, Seeger couples reindeer with snowmen, flamingos with elephants, and the moon with the night sky. Illustrated with richly colored yet simple oil paintings, this offering will delight preschoolers.–Robin L. Gibson, formerly at Perry County District Library, New Lexington, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
PreS-Gr. 2. This creatively designed volume combines an introduction to colors with a bedtime story. Cutouts of various items, such as a lemon, a carrot, and a flamingo, show through to the next page, revealing colors these objects are not. Simple, repetitive text provides the names of the items and colors: "Lemons are not red," "Carrots are not purple," and so on. When the page is turned, an object of the correct color is now revealed, for example, a bright-red apple. Backgrounds show textured brushstrokes of thick paint, which contrast nicely with the flat style of the cutouts. There's no cutout at the book's end, just an outlined slice of moon: "The moon is not black / The moon is silver / The night is black / Good night." This engaging presentation invites participation, but the small trim size, although suitable for children's hands, may make group sharing difficult. Diane Foote
Copyright © American Library Association. All rights reserved

Review
Booklist

PreS-Gr. 2. This creatively designed volume combines an introduction to colors with a bedtime story. Cutouts of various items, such as a lemon, a carrot, and a flamingo, show through to the next page, revealing colors these objects are not. Simple, repetitive text provides the names of the items and colors: "Lemons are not red," "Carrots are not purple," and so on. When the page is turned, an object of the correct color is now revealed, for example, a bright-red apple. Backgrounds show textured brushstrokes of thick paint, which contrast nicely with the flat style of the cutouts. There's no cutout at the book's end, just an outlined slice of moon: "The moon is not black / The moon is silver / The night is black / Good night."

Publishers Weekly, starred review

Having expertly explored letters in The Hidden Alphabet, Seeger now turns her attention to colors, again using die-cuts to great effect, neatly revealing objects with correct and incorrect hues. The book begins with the title statement (the line is reused with different objects and colors throughout) on a yellow spread; a die-cut opening in a lemon shape, on the right, allows the red hue below to show through. When readers turn the page, they discover that the red shade is part of an apple, while the die-cut lemon shape, now on the left, appears in its proper yellow, from the previous spread ("Lemons are yellow / Apples are red "). The heavy brushstrokes that Seeger applies to the backgrounds and objects add pleasingly tactile textures to the otherwise simple, cutout shapes. Other color pairs show a gray flamingo that turns its proper pink next to an elephant's profile, and blue grass (of the non-twangy variety) that becomes green next to a cloud-swept blue sky. After revealing the moon to be silver and the night to be black in the penultimate scene, the light of a die-cut window in a small country cottage goes dark as readers turn the page and the text bids them "Good night!" Vaccaro once more delivers a compositionally faultless primer. Ages 2-5.

School Library Journal

PreS-The creator of The Hidden Alphabet (Roaring Brook, 2003) offers another visual treat. The text is appropriately spare. The first spread reads, "Lemons are not/ RED." The word "RED" appears on a bright yellow page beneath the die-cut shape of a lemon with a red background showing through. When the page is turned, the die-cut shape falls on the correct yellow background, with the words "Lemons are YELLOW" underneath. The red background of the facing page is revealed to be an apple, with the phrase, "Apples are RED." This framework continues throughout the book, and children will quickly catch on and join in the visual game. The paired objects are related, which gives the text an internal consistency. However, the choices never become predictable, so a sense of surprise is always maintained. For example, Seeger couples reindeer with snowmen, flamingos with elephants, and the moon with the night sky. Illustrated with richly colored yet simple oil paintings, this offering will delight preschoolers.-

Horn Book

Kirkus Reviews, (starred review):

..Seeger has done marvelous things with her brushwork, from impasto to shimmering smoothness...Clever, imaginative, and utterly beguiling.

2005 ALA Notable Book (American Library Association):

...Cleverly designed concept book uses brilliant colors and die-cuts...

Child Magazine Best Book of 2004: .

..Kids will adore righting the wrongs of carrots painted purple and flamingos gone gray...

New York Public Library Best Book for Giving and Sharing, 2004

Artfully placed and shaped die-cuts lead toddlers into an interactive world of bright colors.

Most helpful customer reviews

17 of 17 people found the following review helpful.
Quite possibly the finest color book out there
By Elementary Librarian
Laura Vaccaro Seeger's "Lemons Are Not Red" is not only a work of art, but a joy for parents, educators, and young children alike. Each of the richly colored paintings are worthy of framing, as they are as beautiful as they are functional. The text invites readers to play, argue, and laugh as they explore what's NOT red, orange, gray, etc. and discuss what IS! The pages are thick and durable and will stand up to many years of enjoyment. Like Seeger's previous work, "The Hidden Alphabet", this is an ingenious creation with a complete understanding of the way a child's mind works and an incredibly successful attempt at expanding their imaginations and the way they view the world. Brilliant, absolutely brilliant.

14 of 14 people found the following review helpful.
Fun read for toddlers and preschoolers
By Tripp Ritter
My toddlers and preschooler all enjoyed this book. They enjoyed to the point of asking it for multiple readings in one seating. The author uses to good effect both color and die cut images. The books reminds me somewhat of Lois Elhert's books and children who enjoy those picture books will likely appreciate this one as well.

20 of 24 people found the following review helpful.
Not even embarrassed lemons
By E. R. Bird
I think I missed my calling in life. I should have been a consumer's advocate. This thought came to me when, after having checked out Laura Vaccaro Seeger's, "Lemons Are Not Red" from the library, I found myself pressing my oily fingers into the solid colored pages of her book. I was doing this so that I could mention in my review that this book, while interesting and lovely to the eye, was not ideal for toddlers since sticky hands would leave a continual residue. Trouble is, Seeger's smarter than I am. Her pages never show fingerprints. Not even the all-black two-page spreads. Whether it's the type of paper used or something to do with the treatment of the colors, I cannot say. All I can do is tip my hat to her and say that like all her other books, "Lemons Are Not Red" is infinitely appropriate and approachable for many a child of many a persuasion.

This is one of those rare picture books that set before you a series of statements, all in the negative. The first sentence is the same as that found in the title. As we look at two pages of bright yellow paper, small black words proclaim, "Lemons are not RED". The word "RED" appears under a cut-out made in the paper, through which we appear to see a red lemon. Turn the page though and the cut-out moves onto one of the yellow pages from the previous spread. The red background lets the lemon pop out at you to the accompanying words of, "Lemons are YELLOW. Apples are RED". And there, facing the lemon, is a shiny plump apple. This goes on. We learn various truths. Flamingoes are not gray. Grass is not blue. Reindeer are not white (albino reindeer notwithstanding). Finally, at the end, the moon is not black. The night is black. And inside a house stand two little figures, that turn into a tree as you turn the page.

Though lacking the narrative of that similarly ingenious cut-out picture book, "Go Away, Big Green Monster", this has a lot to recommend it. Now I began this review by commending Seeger for her fingerprint-proof paper. Unfortunately, that paper is not rip proof as well. In fact, as I was flipping idly through this puppy at home I found that the delicate cut-outs of things like reindeer and carrots are very prone to huge tears (not by my hands, I assure you). So my advice is to give this to a child that, even if grubby handed, knows how to treat a book respectfully.

All in all, this is a lovely little book of colors, shapes, and definitions. It's not my favorite cut-out book out there, and it doesn't hold up to subsequent readings all that well, but I loved the art and I like the narrative. Two thumbs up for a pretty darn good Seeger creation.

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My Dad Is Just A Barber, by Donald Conley

A book for all ages while neatly crafted as a children's book. Our story takes place in Anytown, USA where a young boy struggles with his own identity in a sea of insensitive peers. He finds through the wisdom instilled through his father in his barber shop that there is much more in him than he ever thought.

  • Sales Rank: #1689430 in eBooks
  • Published on: 2016-01-13
  • Released on: 2016-01-13
  • Format: Kindle eBook

Most helpful customer reviews

2 of 2 people found the following review helpful.
Wonderful Read
By marviana johnson-jones
I bought this for my daughter. I picked it up to read it and it was AWESOME!!!!!!!!! I just wished it was longer. I can see a line of these books. This is perfect in the library or at all schools.

0 of 4 people found the following review helpful.
judging the book by the ONLY review.......
By Michael Ling
who reads these books?! oh sure, it got 5 stars, but only one person even bothered to rate it. No offence but this is just sad. i have not personally read it and i have no intension to do so.
points for effort???
because i wrote this review, i had to rate it. out of the kindness of my heart, i gave it a not-so-well-deserved 3 star rating.
how is this book not free?
im sure that one day you may write a one hit selling wonder, but for now, stick to the basics.

- a modest and fairly humble kindle user

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Sabtu, 26 Juli 2014

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Whatever Arises, Love That: A Love Revolution That Begins with You, by Matt Kahn

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Whatever Arises, Love That: A Love Revolution That Begins with You, by Matt Kahn

There are four simple words that point the way toward liberation and fulfillment: whatever arises, love that. This is the life-changing teaching that Matt Kahn has been sharing with millions of YouTube viewers around the world. Whatever Arises, Love That offers a collection of powerful teachings by this highly regarded teacher, providing you with a series of deeply healing insights and practices to ignite the spark of your highest potential. Topics include: 

• Discovering the first step in finding inner peace

• Reclaiming the passion, joy, and inspiration of your true innocent nature

• Exploring the essential role of surrender throughout the spiritual journey

• Unraveling the patterns of ego with compassion and ease

• Mastering the vital skill of conscious communication to uplift every relationship and encounter

• Reuniting the mind and heart as a doorway into greater spiritual evolution

As Matt often says, “The deepest invitation in any moment is to heal the root of human suffering and celebrate the Spirit in all by opening your heart to its absolute potential. In a universe of endless questions, love is the only answer.” Whatever Arises, Love That is the blueprint for a new spiritual paradigm and your companion in exploring spiritual evolution in the most heart-centered way.


  • Sales Rank: #19109 in Books
  • Published on: 2016-01-05
  • Released on: 2016-01-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.38" h x .88" w x 5.63" l, .25 pounds
  • Binding: Hardcover
  • 232 pages

Review

“An astoundingly refreshing, practical, and wonderful book. Its advice is life-changing. Seriously. Get this book and apply the wisdom here.”
—Christiane Northrup, MD, New York Times bestselling author of Goddesses Never Age and Women’s Bodies, Women’s Wisdom

"Whatever Arises, Love That offers a direct path to deep peace and a sense of connection. Drenched in clarity, empathy, and profound tenderness, Kahn’s words are both a hug and a catapult into living life fully. I am so grateful for this book!"
—Alanis Morissette, Grammy® award-winning singer-songwriter, speaker, teacher, activist

“Amazing and much-needed book! Matt Kahn has gifted all of us with a divinely inspired masterpiece on the power of love in action.”
—GuruGanesha, founder, Spirit Voyage Music

“These words resonate immensely within me, mi corazón, and empower my life and music so greatly. This book offers a key to waking up our consciousness, and allowing it to vibrate at a higher level for the benefit of all.”
—Alex Cuba, Latin Grammy® and Juno Award-winning singer/songwriter



“Matt Kahn has created an exquisite roadmap for the soul’s evolution. This book has the power to transform the entire planet.”
—Marci Shimoff, #1 New York Times bestselling author of Happy for No Reason
 

About the Author
MATT KAHN is an author, spiritual teacher, and highly-attuned empath. Since a series of rare and spontaneous awakenings that began at the age of eight with an out-of-body experience and direct connection with Ascended Masters and Archangels, he has been instrumental in transforming lives worldwide through his profound insights and heart-centered teachings. For more, visit TrueDivineNature.com

Most helpful customer reviews

63 of 64 people found the following review helpful.
SIMPLY BEAUTIFUL!
By Justine C. Fogarty
What an AMAZING book this is!!! This book is all about feel. It helps relax the body and puts the mind at ease ever so sweetly. Matt's message is warm, gentle, nurturing, intimate and expansive all at the same time. Honestly, this book just radiates profound heart centered truth and goodness!! It is an unconditionally loving companion that guides you back to yourself each time you pick it up. It's like coming home over and over again. Thank you you for this gift Matt Kahn!! May everyone who comes across this book be blessed with their hearts bursting open in joy and grace!!

60 of 62 people found the following review helpful.
Absolutely loving this book!
By Vortex Radar
What a great book! I'm a big fan of Matt Kahn and this book wraps up his core teachings and personal experiences all in one awesome package. It's like taking his retreats and soul gatherings, wrapping up all of the most important goodies (plus things he hasn't shared before), and presenting it to you in a book that you can read through, follow his recommendations and suggestions on healing mantras and doing the I Love You's, and feel how it changes you as you move forward step by step.

Matt's the real deal. I've had the opportunity to meet and get to know a variety of different spiritual teachers on and off stage over the years. With some people it's a show, you know? It's a performance. With Matt, what you see, what you hear, what you read.. that's really him. It's who he is, how he acts, how he treats people, and how he actually lives. I'm so grateful that Matt is such a genuinely awesome guy and is sharing so much goodness on youtube, in person, and now in his book.

Absolutely recommended. This is the transformational goodness that the world could so desperately use right about now. The world deserves more love, not less. I deserve more love, not less. You deserve more love, not less. We all deserve more love, not less. Such a simple message, and thank you Matt for helping simplify spirituality and life in general in the most helpful, beneficial, and positively transformative way possible!

37 of 39 people found the following review helpful.
AMAZING!!!
By Greg A
This book is truly amazing. It flips the spiritual journey on its head in the most heart centered and loving way. The teachings are accessible to all whether you are familiar with Matt or discovering him for the first time. Whatever Arises, Love That is transformative, life changing and a blessing to the world.

See all 265 customer reviews...

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Kamis, 24 Juli 2014

~ Download PDF Pocket Genius: Ancient Rome, by DK

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Packed with amazing stats, engaging photographs, and fun facts, Pocket Genius: Ancient Rome explores the empire that dominated Europe and the Middle East for more than 500 years. Find out what Romans ate at their banquets and what bloody spectacles they watched at the arena with content suitable for young readers. Read about cruel emperors and brave gladiators and how Romans built their roads, aqueducts, palaces, and temples, and use the catalog entries to find out fast facts about everything to do with the Romans — from their gods and goddesses to their toys, games, and musical instruments.

Redesigned in paperback, DK's best-selling Pocket Genius series is now available in an engaging compact and economical format that is ideal for both browsing and quick reference for use in school and at home. Catalog entries packed with facts provide at-a-glance information, while locator icons offer immediately recognizable references to aid navigation and understanding, and fact files round off the book with fun facts such as record breakers and timelines. Each pocket-size encyclopedia is filled with facts on subjects ranging from animals to history, cars to dogs, and from Earth to space and combines a child-friendly layout with engaging photography and bite-size chunks of text that will encourage and inform even the most reluctant readers.

  • Sales Rank: #324116 in Books
  • Published on: 2016-01-19
  • Released on: 2016-01-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x .40" w x 3.80" l, .0 pounds
  • Binding: Paperback
  • 160 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
A Great Quick-Study of Ancient Roman Lifestyle
By El Chupacabra
This is basically a pocket version of their Eyewitness: Ancient Rome book. It has a lot of the same, exact images and text. This book does seem to contain a little more information than the larger book. Due to the small size of this, it's not quite as easy to read or get through as the larger book, and hence only 4-stars (I gave the Eyewitness version a full 5). Still, this book makes for a great quick-study on ancient Rome.

0 of 0 people found the following review helpful.
Five Stars
By Jules
Great Book!!

0 of 1 people found the following review helpful.
This is a good book!
By Atos
It's a good book.
With this book, you will go back to Rome.
Rome is in the past. And when you finish the book, you go ahead - to your time.

See all 3 customer reviews...

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Rabu, 23 Juli 2014

# Download Minecraft: Ultimate Minecraft Combat Guide: An Unofficial Minecraft Handbook, by Crafty Guys

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The world of Minecraft is very exciting, with all of the terrifying bosses, amazing environments, and sprawling, endless dungeons to explore! But there are some things that you must understand to have the most fun while playing Minecraft, like farming, how to build an epic shelter, and other important things, then there is no way that you’re truly playing Minecraft to the fullest – these are the things that make Minecraft so amazingly fun and unique!

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  • Sales Rank: #393080 in eBooks
  • Published on: 2016-01-01
  • Released on: 2016-01-01
  • Format: Kindle eBook

Most helpful customer reviews

1 of 1 people found the following review helpful.
Awesome, Am very impressed
By Eugene Brown
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3.generation portion and so on.
It worth buying and more especially reading

0 of 0 people found the following review helpful.
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Selasa, 22 Juli 2014

@ Download PDF Welcome to Whisker Haven (Disney Palace Pets: Whisker Haven Tales) (Big Golden Book), by RH Disney

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The Disney princesses' Palace Pets go on a magical adventure in Whisker Haven! Join Ariel's kitten, Treasure; Cinderella's puppy, Pumpkin; and Belle's pony, Petite in this full-color storybook. It's perfect for children ages 3-7.

  • Sales Rank: #789954 in Books
  • Published on: 2016-01-12
  • Released on: 2016-01-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.06" h x .31" w x 8.85" l, 1.25 pounds
  • Binding: Hardcover
  • 32 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Treasure the hero!
By Kristen T.
My very busy 2.5 year old really loves this book. The pictures are really nice and it's not too wordy so it keeps her interest. Treasure is her absolute favorite

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